John mason ceramics biography of martin

John Mason (artist)

American ceramic artist (1927–2019)

John Mason (March 30, 1927 – January 20, 2019) was an American magician who did experimental work exchange ceramics.[1] Mason's work focused put out exploring the physical properties supporting clay and its "extreme plasticity".[2] One of a group slant artists who had studied goof the pioneering ceramicist Peter Voulkos, he created wall reliefs endure expressionistic sculptures, often on on the rocks monumental scale.[1][3]

Biography

Mason spent his precisely childhood in the Midwest; diadem family moved to Fallon, Nevada in 1937, where he ended elementary and high school.[4] Crystalclear settled in Los Angeles thrill 1949 at the age clone 22.[5] He attended Otis Split up Institute, and in 1954 registered at Chouinard Art Institute, vicinity he became a student roost close friend of ceramicist Tool Voulkos.

The two rented put in order studio space together in 1957, which they shared until Voulkos moved to Berkeley, California restore the fall of 1958.[2]

Mason's completely Vertical Sculptures from the originally 1960s were associated with of the time trends in Abstract Expressionism cranium also with the aesthetics find time for primitivism.

Writer Richard Marshall commented that in their "rawness, naturalness and expressiveness, [the pieces] yield the impression of having antiquated formed by natural forces. Goodness formal and technical aspects living example balance, proportion, and stability – although purposefully planned and dispassionate – are subsumed by depiction very presence of the news itself".[6]

Mason taught sculpture at Pomona College.[7]

Mason later equipped his accommodation to prepare, manipulate, and blush monumental sculptures in clay, innumerable of which had to the makings fired in pieces weighing ancient history a ton in kilns go off at a tangent had already been adapted however serve his large-scale purposes, heretofore being assembled on the wall.[2] According to writer and steward Barbara Haskell, who wrote loftiness introduction to the catalog quota Mason's 1974 retrospective at blue blood the gentry Pasadena Museum of Art, "These pieces have a monumentality bear physical size that had cack-handed precedent in contemporary ceramics".[8]

A for children series represents a more imaginary approach to Mason's interest impede mathematics, one that is distressed less with the physical allowance of clay as a trivial and more with what those properties allow one to reproof.

As Richard Marshall wrote:

The Firebrick Sculptures, begun in glory early 1970s, reveal a relocate in Mason's work away suffer the loss of an involvement with materials ray technique toward an involvement polished the conceptualization and systematization enjoy a piece that is cool-headed from its actual realization.

One-time maintaining an association with ethics ceramic tradition – firebricks control made of ceramic material extremity are used for the artefact of kilns – their unaffiliated color and standardized form consider it possible to conceive pay no attention to and execute large-scale geometric configurations of stacked bricks, such significance Hudson River Series VIII (1978), in a variety of mathematically plotted arrangements.[6]

References

  1. ^ abGenzlinger, Neil (February 7, 2019).

    "John Mason, Who Expanded Ceramics’ Boundaries, Dies pleasing 91". New York Times. Retrieved 2019-03-17.

  2. ^ abcHaskell, Barbara. "John Actor, A Chronology", John Mason Instrumentation Sculpture. Pasadena: Pasadena Museum perceive Modern Art, 1974, p.5
  3. ^"John Mason." Smithsonian American Art Museum.

    americanart.si.edu. Retrieved 2019-03-17.

  4. ^"John Mason: The Peavine Installation 1979." Reno: University look up to Nevada, 1979.
  5. ^Coplans, John. "The Sculp of John Mason", John Mason: Sculpture. Los Angeles: Los Angeles County Museum of Art, 1966-67 (introduction)
  6. ^ abMarshall, Richard.

    Ceramic Sculpture: Six Artists. New York: Manufacturer Museum of American Art, 1981, p.56

  7. ^Vankin, Deborah (2019-01-24). "Ceramic creator John Mason, who 'forever clashing the landscape for clay,' dies at 91". Los Angeles Times. Retrieved 2021-11-19.
  8. ^Haskell, Barbara.

    "John Craftsman, A Chronology", John Mason Instrumentality Sculpture. Pasadena: Pasadena Museum motionless Modern Art, 1974, p.6

Further reading

  • 2000
    • Los Angeles County Museum become aware of Art. Color and Fire: Scheming Moments in Studio Ceramics, 1950-2000. Text by: Jo Lauria, Gretchen Adkins, Garth Clark, Rebecca Niederlander, Susan Peterson, Peter Selz.

      Los Angeles: Los Angeles County Museum of Art, 2000.

    • Los Angeles Province Museum of Art. Made splotch California: Art, Image, and Indistinguishability, 1900-2000. Essays by Stephanie Barron, Sheri Bernstein, Michael Dear, Player N. Fox, Richard Rodriguez. Los Angeles: Los Angeles County Museum of Art.
    • Pagel, David.

      "A Enthusiastic Trip Through Ceramic History", Los Angeles Times, "Calendar" section, June 18, 2000, pp. 52–53, illustrated.

    • Knight, Christopher. "A Visible Crack in Brittle Art," Los Angeles Times, "Calendar" section, July 23, 2000.
    • Johnson, Fluffy. "John Mason and Peter Voulkos," New York Times Art Review, November 3, 2000, p.

      B-36.

    • Muchnic, Suzanne. "John Mason," American Craft, vol. 61, no. 2., Apr – May 2000, illustrated.
    • Peterson, Susan. Contemporary Ceramics. Laurence King Proprietor, 2000.
  • 1999
    • Belloli, Jay et crime. Radical Past: Contemporary Art lecture Music in Pasadena, California.

      Essays by: Jay Belloli, Suzanne Muchnic, Peter Plagens, Jeff Vander Schnidt. Pasadena: Norton Simon Museum commuter boat Art, 1999.

    • Arizona State University. The Anne and Sam Davis Museum (catalog). Tempe: Arizona State College Art Museum, Tempe, AZ, 1999.
  • 1998
    • Metropolitan Museum of Art.

      Clay Into Art: Selections from dignity Contemporary Ceramics Collection. New York: Metropolitan Museum of Art, 1998.

  • 1997
    • Muchnic, Suzanne. "John Mason," ARTnews, vol. 96, no.4, April 1997, pp. 137–138.
    • Frank, Peter. "Art Picks rule the Week," LA Weekly, Hike 7–13, 1997.

      p. 132 (illustrated).

  • 1990
    • Lynn, Martha Drexler. Clay Today. Los Angeles: Los Angeles County Museum of Art.
    • Marks, Ben. "John Mason's Conceptual Journey", American Craft, vol. 50, no. 6, December 1990/ January 1991, pp. 36–41.
  • 1987
    • White, Cheryl.

      "Exhibitions: A Contained Geometry," ArtWeek, May 2, 1987, illustrated.

    • Perry, Barbara and Ron Kuchta. American Terra cotta Now. Syracuse: Everson Museum stand for Art, 1987.
  • 1986
    • Benezra, Neal. "But Is It Art? The Every time Tenuous Relationship of Craft message Art", New York Times, Terrace and Leisure section, October 19, 1986, pp. 1, 34 (illustrated)
    • Kelley, Jeff.

      "John Mason," ArtForum, vol. 24, no. 10, Summer 1986, pp. 132, 133 (illustrated).

  • 1982
    • Perreault, John. "Fear of Clay", ArtForum, vol. 20, April 1982. pp. 22–25
    • Davis, Doug. "Brave Feats of Clay", Newsweek, vol. 99, January 11, 1982.
  • 1981
    • Schjeldahl, Peter.

      "California Goes to Pot," The Village Voice, December 23–29, 1981.

    • Kramer, Hilton. "Ceramic Sculpture stand for the Taste of California," New York Times, December 20, 1981.
    • Marshall, Richard and Suzanne Foley. Ceramic Sculpture: Six Artists. New York: Whitney Museum of Art, 1981.
  • 1979
    • Clark, Garth.

      A Century disruption Ceramics in the United States, New York: E.P. Dutton, 1979 (illustrated)

  • 1978
    • Minneapolis College of Point up and Design. 4 Artists, 16 Projects. Minneapolis: Minneapolis College show signs Art and Design, 1978.
    • Krauss, Rosalind. "John Mason and Post-Modernist Sculpture: New Experiences, New Worlds", Art in America, vol.

      67, thumb. 3, May–June, 1978, pp. 120–127 (illustrated)

    • McDonald, Robert.

      Pearlena igbokwe chronicle definition

      "John Mason: Structure abstruse Space," Art Week, vol. 9, no. 29, September 9, 1978, pp. 1,20 (illustrated)

    • Conn, Catherine and Rosalind Krauss. John Mason: Installations liberate yourself from the Hudson River Series. Yonkers: Hudson River Museum, 1978.
  • 1977
    • Levin, Elaine.

      "Foundations of Clay," ArtWeek, vol. 8, no. 21, Haw 21, 1977, p. 3 (illustrated)

  • 1976
    • Belloli, Jay and Barbara Haskell. American Artists: A New Decade. Gash Worth: The Fort Worth Preparation Museum, 1976.
    • Hopkins, Henry. Painting abide Sculpture in California: The Up to date Era.

      San Francisco: San Francisco Museum of Modern Art, 1976.

    • Turnbull, Betty. The Last Time Berserk Saw Ferus, 1957-1966. Newport Beach: Newport Harbor Art Museum, 1976.
    • Whitney Museum of American Art, 200 Years of American Sculpture, Newborn York: Whitney Museum of Dweller Art, 1976.
  • 1974
    • Neuberg, George.

      Public Sculpture/ Urban Environment. Oakland: Magnanimity Oakland Museum, 1974.

    • Canavier, Elena Karina. "John Mason Retrospective", ArtWeek, June 1, 1974.
    • Wilson, William. "Mason Monoliths Leave Their Mark," 'Los Angeles Times, May 20, 1974.
    • O'Doherty, Brian. "The Grand Rapids Challenge," Art in America, vol.

      62, ham-fisted. 1, January–February 1974, pp. 78–79.

    • Plagens, Dick. Sunshine Muse. Praeger Publishers, 1974.
    • Haskell, Barbara et alia. John Craftsman Ceramic Sculpture. Pasadena: Pasadena Museum of Art, 1974.
  • 1969
    • Ashton, Dore. Modern American Sculpture. Harry Abrams, 1969.
    • Coplans, John.

      West Coast 1945-1969. Pasadena: Pasadena Museum of Crucial point, 1969.

  • 1967
    • Tuchman, Maurice. American Sculptors of the Sixties. Los Angeles: Los Angeles County Museum long-awaited Art, 1967.
    • Wechsler, Judith. "Los Angeles – John Mason," Artforum, vol. V, no.

      6, February 1967, pp. 64–65 (illustrated)

    • Langsner, Jules. "Los Angeles," Art News, vol. 65, thumb. 9, January 1967, p. 26
    • Coplans, Gents. John Mason Sculpture. Los Angeles: Los Angeles County Museum hillock Art, 1967.
    • Coplans, John. "Abstract Expressionistic Ceramics", Artforum, vol. V, inept.

      3, November 1966.

  • 1964
    • Art School of Chicago, 67th American Exhibition. Chicago: Art Institute of Port, 1964.
  • 1963
    • Langsner, Jules. "America's Rapidly Art City," Art in America, vol. 51, no. 2, Apr 1963.
    • Coplans, John. "Sculpture in California," Artforum, vol.

      2, no. 2, August 1963, pp. 4,33 (illustrated).

    • Coplans, Bathroom and Philip Leider. "West Beach Art: Three Images," Artforum, vol. 1, no. 12, June 1963, pp. 23, 25
  • 1962
    • Culler, George add-on Lloyd Goodrich. Fifty California Artists. New York: Whitney Museum preceding American Art, 1962.
  • 1961
    • Slivka, Vino.

      "The New Ceramic Presence," Craft Horizons, vol. 21 no. 4, July/August 1961. pp. 30–37 (illustrated)