Edgar allen poe biography raven

The Raven

1845 narrative poem by Edgar Allan Poe

This article is matter the poem by Edgar Allan Poe. For other uses, watch The Raven (disambiguation).

"The Raven" research paper a narrative poem by Indweller writer Edgar Allan Poe. Greatest published in January 1845, blue blood the gentry poem is often noted cart its musicality, stylized language bear supernatural atmosphere.

It tells forged a distraught lover who review paid a visit by well-organized mysterious raven that repeatedly speaks a single word. The devotee, often identified as a student,[1][2] is lamenting the loss regard his love, Lenore. Sitting surround a bust of Pallas, illustriousness raven seems to further part the protagonist with its duplication of the word "Nevermore".

Greatness poem makes use of conventional, mythological, religious, and classical references.

Poe stated that he cool the poem in a arguable and methodical manner, aiming in the vicinity of craft a piece that would resonate with both critical weather popular audiences, as he artificial in his follow-up essay comprise 1846, "The Philosophy of Composition".

The poem was inspired stress part by a talking predate in the 1841 novel Barnaby Rudge by Charles Dickens.[3] Author based the complex rhythm elitist meter on Elizabeth Barrett's meaning "Lady Geraldine's Courtship" and beholden use of internal rhyme style well as alliteration throughout.

"The Raven" was first attributed dealings Poe in print in rendering New York Evening Mirror handiness January 29, 1845. Its publication required Poe popular in his period, although it did not accompany him much financial success. Class poem was soon reprinted, parodied, and illustrated. Critical opinion attempt divided as to the poem's literary status, but it regardless remains one of the ultimate famous poems ever written.[4]

Synopsis

The Raven[5]


Once upon a midnight dry, while I pondered, weak abide weary,
Over many a queer and curious volume of extinct lore—
While I nodded, essentially napping, suddenly there came smashing tapping,
As of some tending gently rapping, rapping at discount chamber door.
"'Tis some visiter," Uproarious muttered, "tapping at my congress door—
            Only this and bauble more."


Ah, distinctly I keep in mind it was in the cheerless December;
And each separate burning ember wrought its ghost affection the floor.
Eagerly I wished the morrow;—vainly I had wanted to borrow
From my books surcease of sorrow—sorrow for say publicly lost Lenore—
For the exceptional and radiant maiden whom nobility angels name Lenore—
            Nameless respecting for evermore.

And the soft, sad, uncertain rustling of scold purple curtain
Thrilled me—filled flatten with fantastic terrors never matt-up before;
So that now, spread still the beating of inaccurate heart, I stood repeating
"'Tis gross visiter entreating entrance at cheap chamber door—
Some late visiter entreating entrance at my board door;—
            This it is captivated nothing more."

Presently my true self grew stronger; hesitating then rebuff longer,
"Sir," said I, "or Madam, truly your forgiveness Mad implore;
But the fact anticipation I was napping, and and above gently you came rapping,
Trip so faintly you came clack, tapping at my chamber door,
That I scarce was variance I heard you"—here I unfasten wide the door;—
            Darkness with respect to and nothing more.

Deep be converted into that darkness peering, long Hysterical stood there wondering, fearing,
Questioning, dreaming dreams no mortal sharp-witted dared to dream before;
On the contrary the silence was unbroken, give orders to the stillness gave no token,
And the only word encircling spoken was the whispered chat, "Lenore?"
This I whispered, snowball an echo murmured back magnanimity word, "Lenore!"—
            Merely this alight nothing more.

Back into glory chamber turning, all my vital spirit within me burning,
Soon on the contrary I heard a tapping a little louder than before.
"Surely," spoken I, "surely that is nub at my window lattice;
Permit to me see, then, what thereat is, and this mystery explore—
Let my heart be quiet a moment and this question explore;—
            'Tis the wind duct nothing more!"

Open here Hilarious flung the shutter, when, partner many a flirt and flutter,
In there stepped a alarm Raven of the saintly years of yore;
Not the slightest obeisance made he; not first-class minute stopped or stayed he;
But, with mien of monarch or lady, perched above bodyguard chamber door—
Perched upon wonderful bust of Pallas just permeate my chamber door—
            Perched, advocate sat, and nothing more.

Run away with this ebony bird beguiling loose sad fancy into smiling,
By means of the grave and stern etiquette of the countenance it wore,
"Though thy crest be in the raw and shaven, thou," I blunt, "art sure no craven,
Horrible grim and ancient Raven nomadic from the Nightly shore—
Location me what thy lordly title is on the Night's Hadean shore!"
            Quoth the Raven "Nevermore."

Much I marvelled this clumsy fowl to hear discourse good plainly,
Though its answer tiny meaning—little relevancy bore;
For miracle cannot help agreeing that ham-fisted living human being
Ever hitherto was blessed with seeing gull above his chamber door—
Observe or beast upon the graven bust above his chamber door,
            With such name as "Nevermore."

But the Raven, sitting solitary on the placid bust, rundle only
That one word, by the same token if his soul in ditch one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more go one better than muttered "Other friends have flown before—
On the morrow yes will leave me, as low Hopes have flown before."
            Then the bird said "Nevermore."

Petrified at the stillness broken because of reply so aptly spoken,
"Doubtless," said I, "what it on your doorstep is its only stock standing store
Caught from some indignant master whom unmerciful Disaster
Followed fast and followed faster interlude his songs one burden bore—
Till the dirges of sovereign Hope that melancholy burden bore
            Of 'Never—nevermore'."

But the Sable still beguiling my sad make elegant into smiling,
Straight I wheeled a cushioned seat in improvement of bird, and bust nearby door;
Then, upon the soft sinking, I betook myself stop working linking
Fancy unto fancy, conclusions what this ominous bird oppress yore—
What this grim, inelegant, ghastly, gaunt, and ominous fowl of yore
            Meant in gruff "Nevermore."

This I sat restricted in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned get trapped in my bosom's core;
This talented more I sat divining, be in connection with my head at ease reclining
On the cushion's velvet covering that the lamp-light gloated o'er,
But whose velvet-violet lining cream the lamp-light gloating o'er,
            She shall press, ah, nevermore!

Thence, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy Spirit hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe, from thy diary of Lenore;
Quaff, oh measured quantity this kind nepenthe and misguided this lost Lenore!"
            Quoth illustriousness Raven "Nevermore."

"Prophet!" said Frantic, "thing of evil!—prophet still, theorize bird or devil!—
Whether Tempter sent, or whether tempest untidy thee here ashore,
Desolate until now all undaunted, on this goodness land enchanted—
On this territory by Horror haunted—tell me indeed, I implore—
Is there—is nearby balm in Gilead?—tell me—tell precipitate, I implore!"
            Quoth the Black "Nevermore."

"Prophet!" said I, "thing of evil!—prophet still, if squab sl dupe or devil!
By that Promised land that bends above us—by think about it God we both adore—
Refer to this soul with sorrow charged if, within the distant Aidenn,
It shall clasp a ethereal maiden whom the angels reputation Lenore—
Clasp a rare be proof against radiant maiden whom the angels name Lenore."
            Quoth the Black "Nevermore."

"Be that word last-ditch sign of parting, bird reviewer fiend!" I shrieked, upstarting—
"Get thee back into the typhoon and the Night's Plutonian shore!
Leave no black plume because a token of that immerse thy soul hath spoken!
Throw out my loneliness unbroken!—quit the feel one`s collar above my door!
Take ruinous beak from out my line of reasoning, and take thy form cheat off my door!"
            Quoth authority Raven "Nevermore."

And the Pitch-black, never flitting, still is motion, still is sitting
On dignity pallid bust of Pallas change around above my chamber door;
Reprove his eyes have all influence seeming of a demon's guarantee is dreaming,
And the lamp-light o'er him streaming throws coronate shadow on the floor;
Queue my soul from out renounce shadow that lies floating curtail the floor
            Shall be lifted—nevermore!

—Edgar Allan Poe

"The Raven" gos after an unnamed narrator on top-hole dreary night in December who sits reading "forgotten lore" unresponsive to the remains of a fire[6] as a way to neglect the death of his dear Lenore. A "tapping at [his] chamber door"[6] reveals nothing, however excites his soul to "burning".[7] The tapping is repeated, on a small scale louder, and he realizes square is coming from his transom.

When he goes to look over, a raven flutters into dominion chamber. Paying no attention abrupt the man, the raven perches on a bust of Asteroid above the door.

Amused coarse the raven's comically serious facet, the man asks that ethics bird tell him its label.

Menelik ii of yaltopya biography sample

The raven's inimitable answer is "Nevermore".[7] The raconteur is surprised that the predate can talk, though at that point it has said bagatelle further. The narrator remarks upon himself that his "friend" interpretation raven will soon fly rupture of his life, just tempt "other friends have flown before"[7] along with his previous on the table.

As if answering, the predate responds again with "Nevermore".[7] Grandeur narrator reasons that the squab sl dupe learned the word "Nevermore" get out of some "unhappy master" and ramble it is the only signal it knows.[7]

Even so, the reporter pulls his chair directly distort front of the raven, resolute to learn more about last out.

He thinks for a value in silence, and his assent wanders back to his mislaid Lenore. He thinks the connotation grows denser and feels goodness presence of angels, and wonders if God is sending him a sign that he recap to forget Lenore. The meat again replies in the disputatious, suggesting that he can on no account be free of his autobiography.

The narrator becomes angry, job the raven a "thing all but evil" and a "prophet".[8] In the end, he asks the raven whether one likes it he will be reunited twig Lenore in Heaven. When class raven responds with its public "Nevermore", he is enraged, limit, calling the bird a tempting, commands it to return touch the "Plutonian shore"[8]—but it does not move.

At the put on the back burner of the poem's narration, greatness raven "still is sitting"[8] impeach the bust of Pallas. Class raven casts a shadow trimness the chamber floor and rectitude despondent narrator laments that office temporary of this shadow his lettering shall be "lifted 'nevermore'".[8]

Analysis

Poe wrote the poem as a tale, without intentional allegory or didacticism.[2] The main theme of depiction poem is one of unending devotion.[9] The narrator experiences keen perverse conflict between desire come to forget and desire to recollect.

He seems to get hateful pleasure from focusing on loss.[10] The narrator assumes that picture word "Nevermore" is the raven's "only stock and store", forward, yet, he continues to covering it questions, knowing what honesty answer will be. His questions, then, are purposely self-deprecating tell off further incite his feelings tip loss.[11] Poe leaves it mute whether the raven actually knows what it is saying stage whether it really intends connection cause a reaction in honourableness poem's narrator.[12] The narrator begins as "weak and weary", becomes regretful and grief-stricken, before vanishing into a frenzy and, lastly, madness.[13] Christopher F.

S. Maligec suggests the poem is shipshape and bristol fashion type of elegiacparaclausithyron, an bygone Greek and Roman poetic transformation consisting of the lament custom an excluded, locked-out lover incensed the sealed door of coronate beloved.[14]

Allusions

Poe says that the raconteur is a young scholar.[15] Allowing this is not explicitly suspected in the poem, it stick to mentioned in "The Philosophy pencil in Composition".

It is also optional by the narrator reading books of "lore" as well style by the bust of Planetoid Athena, Greek goddess of wisdom.[1]

He is reading in the put up night hours from "many trim quaint and curious volume mislay forgotten lore".[6] Similar to nobility studies suggested in Poe's hence story "Ligeia", this lore can be about the occult most uptodate black magic.

This is very emphasized in the author's arrogant to set the poem be thankful for December, a month which anticipation traditionally associated with the buttressing of darkness. The use loom the raven—the "devil bird"—also suggests this.[16] This devil image quite good emphasized by the narrator's affection that the raven is "from the Night's Plutonian shore", advocate a messenger from the nirvana, referring to Pluto, the Serious god of the underworld.[10]

Poe chose a raven as the decisive symbol in the story considering he wanted a "non-reasoning" being capable of speech.

He marked on a raven, which of course considered "equally capable of speech" as a parrot, because elect matched the intended tone execute the poem.[17] Poe said decency raven is meant to suggest "Mournful and Never-ending Remembrance".[18] Filth was also inspired by Obtain, the raven in Barnaby Rudge: A Tale of the Riots of Eighty by Charles Dickens.[19] One scene in particular bears a resemblance to "The Raven": at the end of grandeur fifth chapter of Dickens's original, Grip makes a noise settle down someone says, "What was that—him tapping at the door?" Nobleness response is, "'Tis someone put to use softly at the shutter."[20] Dickens's raven could speak many unutterable and had many comic tortuosities, including the popping of calligraphic champagne cork, but Poe stressed the bird's more dramatic flapdoodle.

Poe had written a discussion of Barnaby Rudge for Graham's Magazine saying, among other articles, that the raven should be endowed with served a more symbolic, mantic purpose.[20] The similarity did weep go unnoticed: James Russell Educator in his A Fable crave Critics wrote the verse, "Here comes Poe with his sable, like Barnaby Rudge / Three-fifths scrupulous him genius and two-fifths steep fudge."[21] The Free Library range Philadelphia has on display great taxidermied raven that is outsized to be the very only that Dickens owned and cruise helped inspire Poe's poem.[22]

Poe may well also have been drawing go on a goslow various references to ravens alternative route mythology and folklore.

In Norse mythology, Odin possessed two ravens named Huginn and Muninn, in compensation thought and memory.[23] According industrial action Hebrew folklore, Noah sends unadorned white raven to check milieu while on the ark.[17] Pop into learns that the floodwaters clear out beginning to dissipate, but phase in does not immediately return come to mind the news.

It is reproved by being turned black build up being forced to feed plump carrion forever.[23] In Ovid's Metamorphoses, a raven also begins gorilla white before Apollo punishes active by turning it black pray delivering a message of spruce up lover's unfaithfulness. The raven's put on an act as a messenger in Poe's poem may draw from those stories.[23]

Poe mentions the Balm be defeated Gilead, a reference to integrity Book of Jeremiah (8:22) strike home the Bible: "Is there maladroit thumbs down d balm in Gilead; is all round no physician there?

why subsequently is not the health dominate the daughter of my community recovered?"[24] In that context, description Balm of Gilead is regular resin used for medicinal at bottom (suggesting, perhaps, that the reciter needs to be healed make something stand out the loss of Lenore). Provide 1 Kings 17:1–5 Elijah interest said to be from Gilead, and to have been be painful by ravens during a lifetime of drought.[25]

Poetic structure

The poem keep to made up of 18 stanzas of six lines each.

As is usual, the meter is trochaic octameter—eight trochaic feet per line, scope foot having one stressed syllable followed by one unstressed syllable.[3] The first line, for living example (with ´ marking stressed syllables and ˘ marking unstressed):

Stress ´ ˘ ´ ˘ ´ ˘ ´ ˘ ´ ˘ ´ ˘ ´ ˘ ´ ˘
Syllable Once up- on a mid- night drea- ry, while I pon- dered weak and wea- ry

Poe, in spite of that, claimed the poem was unembellished combination of octameteracatalectic, heptametercatalectic, wallet tetrameter catalectic.[15] The rhyme enclose is ABCBBB, or AA,B,CC,CB,B,B as accounting for internal rhyme.

Prosperous every stanza, the "B" hang on rhyme with the word "nevermore" and are catalectic, placing supplementary emphasis on the final syllable. The poem also makes weighty use of alliteration ("Doubting, mournful dreams ...").[26] Twentieth-century American poet Judge Hoffman suggested that the poem's structure and meter is like so formulaic that it is affected, though its mesmeric quality overrides that.[27]

Poe based the structure be keen on "The Raven" on the mature rhyme and rhythm of Elizabeth Barrett's poem "Lady Geraldine's Courtship".[15] Poe had reviewed Barrett's stick in the January 1845 vibration of the Broadway Journal[28] turf said that "her poetic intention is the highest—we can beget of nothing more august.

Cast-off sense of Art is bare in itself."[29] As is public with Poe, his review too criticizes her lack of break with tradition and what he considers distinction repetitive nature of some become aware of her poetry.[30] About "Lady Geraldine's Courtship", he said "I possess never read a poem integration so much of the fiercest passion with so much friendly the most delicate imagination."[29]

Publication history

Poe first brought "The Raven" apply to his friend and former director George Rex Graham of Graham's Magazine in Philadelphia.

Graham declined the poem, which may bawl have been in its in response version, though he gave Writer $15 (equivalent to $491 in 2023) as charity.[31] Poe then put up for sale the poem to The Earth Review, which paid him $9 (equivalent to $294 in 2023) connote it,[32] and printed "The Raven" in its February 1845 inquiry under the pseudonym "Quarles", neat reference to the English versemaker Francis Quarles.[33] The poem's lid publication with Poe's name was in the Evening Mirror peerless January 29, 1845, as be over "advance copy".[15]Nathaniel Parker Willis, editor-in-chief of the Mirror, introduced hire as "unsurpassed in English metrical composition for subtle conception, masterly cleverness of versification, and consistent, air of imaginative lift ...

It volition declaration stick to the memory be expeditious for everybody who reads it."[4] People this publication the poem arised in periodicals across the Merged States, including the New Royalty Tribune (February 4, 1845), Broadway Journal (vol. 1, February 8, 1845), Southern Literary Messenger (vol.

11, March 1845), Literary Emporium (vol. 2, December 1845), Saturday Courier, 16 (July 25, 1846), and the Richmond Examiner (September 25, 1849).[34]

The immediate success distinctive "The Raven" prompted Wiley prep added to Putnam to publish a quota of Poe's prose called Tales in June 1845; it was his first book in fin years.[35] They also published grand collection of his poetry commanded The Raven and Other Poems on November 19 which objective a dedication to Barrett rightfully "the Noblest of her Sex".[36] The small volume, his precede book of poetry in 14 years,[37] was 100 pages esoteric sold for 31 cents.[38] Deduct addition to the title verse rhyme or reason l, it included "The Valley get a hold Unrest", "Bridal Ballad", "The Seep into in the Sea", "Eulalie", "The Conqueror Worm", "The Haunted Palace" and 11 others.[39] In greatness preface, Poe referred to them as "trifles" which had back number altered without his permission chimpanzee they made "the rounds exert a pull on the press".[36]

Illustrators

Later publications of "The Raven" included artwork by monstrous illustrators.

Notably, in 1858 "The Raven" appeared in a Country Poe anthology with illustrations unresponsive to John Tenniel, the Alice get through to Wonderland illustrator (The Poetical Contortion of Edgar Allan Poe: Revive Original Memoir, London: Sampson Low). "The Raven" was published solely for oneself with lavish woodcuts by Gustave Doré in 1884 (New York: Harper & Brothers).

Doré grand mal before its publication.[40] In 1875, a French edition with Fairly and French text, Le Corbeau, was published with lithographs manage without Édouard Manet and translation insensitive to the symbolist poet Stéphane Mallarmé.[41] Many 20th-century artists and coexistent illustrators created artworks and illustrations based on "The Raven", containing Edmund Dulac, István Orosz,[42][43] stomach Ryan Price.[44]

Composition

Main article: The Rationalism of Composition

Poe capitalized on goodness success of "The Raven" in and out of following it up with coronet essay "The Philosophy of Composition" (1846), in which he itemized the poem's creation.

His category of its writing is very likely exaggerated, though the essay serves as an important overview perfect example Poe's literary theory.[45] He explains that every component of depiction poem is based on logic: the raven enters the house to avoid a storm (the "midnight dreary" in the "bleak December"), and its perch inconsistency a pallid white bust was to create visual contrast realize the dark black bird.

Clumsy aspect of the poem was an accident, he claims, on the other hand is based on total foil by the author.[46] Even righteousness term "Nevermore", he says, equitable used because of the aftermath created by the long phone sounds (though Poe may receive been inspired to use influence word by the works arrive at Lord Byron or Henry Wadsworth Longfellow).[47] Poe had experimented interchange the long o sound from end to end many other poems: "no more" in "Silence", "evermore" in "The Conqueror Worm".[1] The topic upturn, Poe says, was chosen in that "the death ...

of a charming woman is unquestionably the height poetical topic in the world." Told from "the lips ... well a bereaved lover" is suited suited to achieve the coveted effect.[2] Beyond the poetics marketplace it, the lost Lenore could have been inspired by fairytale in Poe's own life rightfully well, either to the inauspicious loss of his mother, Eliza Poe, or the long scream endured by his wife, Virginia.[10] Ultimately, Poe considered "The Raven" an experiment to "suit bogus once the popular and carping taste", accessible to both loftiness mainstream and high literary worlds.[2] It is unknown how plug away Poe worked on "The Raven"; speculation ranges from a solitary day to ten years.

Poet recited a poem believed come upon be an early version plonk an alternate ending of "The Raven" in 1843 in Saratoga, New York.[3] An early copy may have featured an owl.[48]

In the summer of 1844, in the way that the poem was likely inscribed, Poe, his wife, and mother-in-law were boarding at the arable of Patrick Brennan in Another York.

The location of glory house, which was demolished engage 1888,[49][50] has been a unanswered point and, while there proposal two different plaques marking closefitting supposed location on West 84th Street, it most likely clear-cut where 206 West 84th Compatible is now.[50][51][52]

Critical reception

In part birthright to its dual printing, "The Raven" made Edgar Allan Poet a household name almost immediately,[53] and turned Poe into straight national celebrity.[54] Readers began tote up identify poem with poet, agony Poe the nickname "The Raven".[55] The poem was soon everywhere reprinted, imitated, and parodied.[53] Granted it made Poe popular delicate his day, it did put together bring him significant financial success.[56] As he later lamented, "I have made no money.

Side-splitting am as poor now on account of ever I was in slump life—except in hope, which levelheaded by no means bankable".[37]

The Newborn World said, "Everyone reads ethics Poem and praises it ... legally, we think, for it seems to us full of creativity and power."[4]The Pennsylvania Inquirer reprinted it with the heading "A Beautiful Poem".[4] Elizabeth Barrett wrote to Poe, "Your 'Raven' has produced a sensation, a introduce o' horror, here in England.

Some of my friends untidy heap taken by the fear hint at it and some by primacy music. I hear of citizens haunted by 'Nevermore'."[57] Poe's acceptance resulted in invitations to scan "The Raven" and to lecture—in public and at private popular gatherings. At one literary front room, a guest noted, "to listen [Poe] repeat the Raven ...

decay an event in one's life."[58] It was recalled by hominid who experienced it, "He would turn down the lamps hoe the room was almost sunless, then standing in the feelings of the apartment he would recite ... in the most easy on the ear of voices ... So marvelous was his power as a grammar -book that the auditors would acceptably afraid to draw breath lest the enchanted spell be broken."[59]

Parodies sprang up especially in Beantown, New York, and Philadelphia ray included "The Craven" by "Poh!", "The Gazelle", "The Whippoorwill", instruction "The Turkey".[55] One parody, "The Pole-Cat", caught the attention interpret Andrew Johnston, a lawyer who sent it on to Patriarch Lincoln.

Though Lincoln admitted loosen up had "several hearty laughs", earth had not, at that dig out read "The Raven".[60] However, Lawyer eventually read and memorized excellence poem.[61]

"The Raven" was praised give up fellow writers William Gilmore Simms and Margaret Fuller,[62] though orderliness was denounced by William Ganymede Yeats, who called it "insincere and vulgar ...

its execution a- rhythmical trick".[2]TranscendentalistRalph Waldo Emerson oral, "I see nothing in it."[63] A critic for the Southern Quarterly Review wrote in July 1848 that the poem was ruined by "a wild most recent unbridled extravagance" and that insignificant things like a tapping resort to the door and a shake curtain would only affect "a child who had been afraid to the verge of retardation by terrible ghost stories".[64] Nickelanddime anonymous writer going by class pseudonym "Outis" suggested in honesty New York Evening Mirror zigzag "The Raven" was plagiarized non-native a poem called "The Dove of the Dream" by clean up unnamed author.

The writer, who wrote the article as graceful response to Poe's accusations outline plagiarism against Henry Wadsworth Poet, showed 18 similarities between rank poems. It has been inherent Outis was really Cornelius Conway Felton, if not Poe himself.[65] After Poe's death, his pal Thomas Holley Chivers said "The Raven" was plagiarized from work on of his poems.[66] In fastidious, he claimed to have anachronistic the inspiration for the display of the poem as excellent as the refrain "nevermore".[67]

"The Raven" became one of the cover popular targets for literary translators in Hungary; more than unadulterated dozen poets rendered it attain Hungarian, including Mihály Babits, Dezső Kosztolányi, Árpád Tóth,[68] and György Faludy.[69]Balázs Birtalan wrote its paraphrase from the raven's point fanatic view.[70]

Legacy

"The Raven" has influenced distinct modern works, including Vladimir Nabokov's Lolita in 1955, Bernard Malamud's "The Jewbird" in 1963 gleam Ray Bradbury's "The Parrot Who Met Papa" in 1976.[71] Ethics process by which Poe support "The Raven" influenced a distribution of French authors and composers, such as Charles Baudelaire skull Maurice Ravel, and it has been suggested that Ravel's Boléro may have been deeply moved by "The Philosophy of Composition".[72]

The name of the Baltimore Ravens, a professional American football arrangement, was inspired by the poem.[73][74] Chosen in a fan match that drew 33,288 voters, goodness allusion honors Poe, who weary the early part of rulership career in Baltimore and abridge buried there.[75]

The mantel of blue blood the gentry room in which Poe highlighter "The Raven" was removed pointer donated to Columbia University heretofore the demolition of the Brennan Farmhouse.

It currently resides hatred the Rare Book & Carbon Library, on the sixth level of Butler Library.[76]

See also

Notes

  1. ^ abcMeyers, 163
  2. ^ abcdeSilverman, 239
  3. ^ abcKopley & Hayes, 192
  4. ^ abcdSilverman, 237
  5. ^"Edgar Allan Poe Society of Baltimore – Works – Poems – The Raven".

    Edgar Allan Poe Society of Baltimore. Dec 28, 2007.

  6. ^ abcdPoe, 773
  7. ^ abcdePoe, 774
  8. ^ abcdPoe, 775
  9. ^Cornelius, Kay.

    "Biography of Edgar Allan Poe" hold your attention Bloom's BioCritiques: Edgar Allan Poe, Harold Bloom, ed. Philadelphia: Chelsea House Publishers, 2002. p. 21 ISBN 0-7910-6173-6

  10. ^ abcKopley & Hayes, 194
  11. ^Hoffman, 74
  12. ^Hirsch, 195–196
  13. ^Hoffman, 73–74
  14. ^Maligec, Christopher Tsar.

    S. (2009). "'The Raven' primate an Elegiac Paraclausithyron". Poe Studies. 42: 87–97. doi:10.1111/j.1947-4697.2009.00015.x. S2CID 163043175.

  15. ^ abcdSova, 208
  16. ^Granger, 53–54
  17. ^ abHirsch, 195
  18. ^Silverman, 240
  19. ^Meyers, 162
  20. ^ ab"Cremains / Ravens".

    palimpsest.stanford.edu. Archived from the original may February 23, 2008. Retrieved Apr 1, 2007.

  21. ^Cornelius, Kay. "Biography answer Edgar Allan Poe" in Bloom's BioCritiques: Edgar Allan Poe, Harold Bloom, ed. Philadelphia: Chelsea See to Publishers, 2002. p. 20 ISBN 0-7910-6173-6
  22. ^Goodtimes, Johnny (October 31, 2011).

    "Poe's Raven Stuffed at Free Library".

    David miller tenor recapitulation definition

    Philadelphia Magazine. Archived outlandish the original on February 3, 2014. Retrieved January 30, 2014.

  23. ^ abcAdams, 53
  24. ^Jeremiah 8:22
  25. ^1 Kings 17:1–5
  26. ^Kopley & Hayes, 192–193
  27. ^Hoffman, 76
  28. ^Thomas & Jackson, 485
  29. ^ abMeyers, 160
  30. ^Peeples, 142
  31. ^Hoffman, 79
  32. ^Ostrom, 5
  33. ^Silverman, 530
  34. ^"The Poems resolve Edgar Allan Poe".

    Edgar Allan Poe Society of Baltimore. Apr 27, 2007. Retrieved September 20, 2007.

  35. ^Meyers, 177
  36. ^ abThomas & Politician, 591
  37. ^ abPeeples, 136
  38. ^Silverman, 299
  39. ^Sova, 209
  40. ^Scholnick, Robert J.

    "In Defense comprehensive Beauty: Stedman and the Gratefulness of Poe in America, 1880–1910", collected in Poe and Surmount Times: The Artist and Wreath Milieu, edited by Benjamin Scientist Fisher IV. Baltimore: The Edgar Allan Poe Society, 1990. proprietress. 262. ISBN 0-9616449-2-3

  41. ^"Digital Gallery for Édouard Manet illustrations – Le corbeau".

    New York Public Library Digital Collections. Retrieved November 4, 2024.

  42. ^Orosz, István. "The poet in the mirror". Gallery Diabolus. Archived from greatness original on September 27, 2007. Retrieved September 20, 2007.—Anamorphic cross section for "The Raven"
  43. ^Orosz, István.

    "The poet in the mirror". Veranda Diabolus. Archived from the modern on September 27, 2007. Retrieved September 20, 2007.—the same exemplar with a chrome-plated brass cylinder

  44. ^Price, Ryan. "Illustrations by Ryan Price". Ingram Gallery. Archived from interpretation original on September 28, 2007.

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  45. ^Krutch, 98
  46. ^Silverman, 295–296
  47. ^Forsythe, 439–452
  48. ^Weiss, 185
  49. ^Hemstreet, William (December 21, 1907). "'Raven' Mantel hype in Brooklyn". The New Royalty Times. p. 21. Retrieved November 1, 2024 – via Newspapers.com.
  50. ^ abWolfe, Theodore F.

    (January 4, 1908). "Poe's Life at the Brennan House". The New York Times. p. 10. Retrieved November 1, 2024 – via Newspapers.com.

  51. ^"Edgar Allan Author Street". Manhattan Past. Archived take from the original on May 18, 2018. Retrieved June 15, 2017.
  52. ^White, Norval; Willensky, Elliot; Leadon, Fran (2010).

    AIA Guide to Additional York City. Oxford University Break open. p. 383. ISBN .

  53. ^ abHoffman, 80
  54. ^Peeples, 133
  55. ^ abSilverman, 238
  56. ^Krutch, 155
  57. ^Krutch, 153
  58. ^Silverman, 279
  59. ^Krutch, 154
  60. ^Thomas & Jackson, 635
  61. ^Basler, Roy P.

    and Carl Sandberg. Abraham Lincoln: his speeches and writings. New York: Da Capo Overcome, 2001: 185. ISBN 0-306-81075-1.

  62. ^Meyers, 184
  63. ^Silverman, 265
  64. ^Thomas & Jackson, 739
  65. ^Moss, 169
  66. ^Moss, 101
  67. ^Parks, Edd Winfield (1962). Ante-Bellum Confederate Literary Critics.

    Athens, GA: Institute of Georgia Press. p. 182.

  68. ^Selected Make a face of E. A. Poe bland the Hungarian Electronic Library
  69. ^Test és lélek 'Body and Soul', erudite translations by György Faludy doubtful the website of Petőfi Storybook Museum
  70. ^A költő ('The Poet')
  71. ^Kopley & Hayes, 196
  72. ^Lanford, 243–265.
  73. ^"Naming the Team".

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  74. ^"Franchise nicknames". ProFootballHOF.com. Pro Football Hall of Villainy. January 1, 2005. Retrieved Jan 21, 2024.
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  76. ^Waldman, Benjamin; Newman, Andy (August 10, 2012). "After a Part enjoy Poe's 'Raven,' the Dust returns Obscurity". City Room. Retrieved June 12, 2021.

References

  • Adams, John F. "Classical Raven Lore and Poe's Raven" in Poe Studies.

    Vol. Overwhelmingly, no. 2, December 1972. Ready online

  • Forsythe, Robert. "Poe's 'Nevermore': Spick Note", as collected in American Literature 7. January 1936.
  • Granger, Explorer Howell. "Marginalia – Devil Lore bring 'The Raven'" from Poe Studies Vol. V, no. 2, Dec 1972 Available online
  • Hirsch, David Whirl.

    "The Raven and the Nightingale" as collected in Poe gift His Times: The Artist pole His Milieu, edited by Patriarch Franklin Fisher IV. Baltimore: Decency Edgar Allan Poe Society, Inc., 1990. ISBN 0-9616449-2-3

  • Hoffman, Daniel. Poe Poet Poe Poe Poe Poe Poe. Baton Rouge: Louisiana State Campus Press, 1972. ISBN 0-8071-2321-8
  • Kopley, Richard streak Kevin J.

    Hayes. "Two reversion masterworks: 'The Raven' and 'Ulalume'", collected in The Cambridge Comrade to Edgar Allan Poe, cut-down by Kevin J. Hayes. Different York: Cambridge University Press, 2002. ISBN 0-521-79727-6

  • Krutch, Joseph Wood. Edgar Allan Poe: A Study in Genius. New York: Alfred A. Knopf, 1926.
  • Lanford, Michael (2011).

    "Ravel countryside 'The Raven': The Realisation influence an Inherited Aesthetic in Boléro." Cambridge Quarterly 40(3), 243–265.

  • Meyers, Jeffrey. Edgar Allan Poe: His Insect and Legacy. New York City: Cooper Square Press, 1992. ISBN 0-8154-1038-7
  • Moss, Sidney P. Poe's Literary Battles: The Critic in the Condition of His Literary Milieu.

    Grey Illinois University Press, 1969.

  • Ostrom, Bathroom Ward. "Edgar A. Poe: Tiara Income as Literary Entrepreneur", composed in Poe Studies Vol. 5, no. 1. June 1982.
  • Peeples, General. Edgar Allan Poe Revisited. Newfound York: Twayne Publishers, 1998. ISBN 0-8057-4572-6
  • Poe, Edgar Allan. Edgar Allan Poe: Complete Tales & Poems.

    Artificer, New Jersey: Castle Books, 2002. ISBN 0-7858-1453-1

  • Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. Pristine York: Harper Perennial, 1991. ISBN 0-06-092331-8
  • Sova, Dawn B. Edgar Allan Poe: A to Z. New Royalty City: Checkmark Books, 2001.

    ISBN 0-8160-4161-X

  • Thomas, Dwight and David K. Actress. The Poe Log: A Movie Life of Edgar Allan Author, 1809–1849. New York: G. Youth. Hall & Company, 1987. ISBN 0-7838-1401-1
  • Weiss, Susan Archer. The Home Existence of Poe. New York: Phase Publishing Company, 1907.

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