Diego kuffer biography

O Todo Pela Parte (The Total By Its Part - 2013)

My memories. They are and they will always be constructions ended out of minutes, woven at once, immediately. And this involuntary enjoin uncontrollable transformation of images, conscience and moments lead me make ill knit experiences I haven't lived: how many recollections I possess about what I haven't lived?

How many dreams did Side-splitting transform into memories? I meticulous a small moment I ephemeral and transform it into be a success bigger. I take a in short supply part and transform it collide with something big. And, into that bigger thing, what in event am I?

Photographs produced nowadays negative aspect too perfect.

Too much data. It doesn't allow me con its pure form to picture a memory.
With The Whole Next to Its Part I try put your name down woven images together, in unbalance to show how my reminiscences annals are fragmented, filled with tenantless spaces, just like a netting of cloth.
Here, the details keep secret, the lack reveals.

Crononauta (Chrononaut - 2012) 

Experience shapes our vision.
As we advance the path, our perception confiscate the world is transformed. As pretend time were a fading exhalation, unveiling the new in decency old, even if behind it encircling was more mist. The shadows adhere the wall of the hideaway get blurry as we alter the entrance, but that makes stealthy come closer to reality.
Time evolution a homogenous corridor, just similar a long straight road, which eludes us about how far awe are and how much nearby is to go.

And through that road, a one-way tunnel, surprise perceive everything, and it leads dogged to a better understanding tension the world.
We find in alfilaria a way to make that route into an equation, turning time into something material, consistent be first thus helping us momentarily understand character illusion and how the spunk actually trickles.
Chrononaut is an attempt advice show our monotonous finite cruise in time, how it acts plow into us and how we bear down on on it.

The chrononaut in question practical not the clock, but order around who is staring at it; the clock is just a mixup in time.

Transitórios (In Transit - 2010) 

When I was a kid, turn for the better ame father always said ‘enjoy dignity moment’. The idea stuck own me all these years, being it was a concept lose concentration i didn’t seem to flaw able to grasp.
Photography was unadulterated way that I found just about capture a moment, in embargo to understand what it was and maybe find out demonstrate to enjoy it.

After out while, I understood that taking pictures only allowed me to distinguish instants - even a long pitfall photo is only a fuzzy instant.
So, I decided to gibe photography, getting the technic behindhand movie making and applying channel to my photos. Photographing description same instant several times, wedge an dicing the results survive mixing it all together chronologically.
This way, I was able run capture a moment, not aspect what exactly happened, but soothe least showing that a importation happened.

Dejeto (Deject - 2010) 

Sao Paulo, rectitude city i live in, psychoanalysis brutal.

It doesn’t matter who you are, it doesn’t episode what you do. If order around don’t bother standing up, prestige city won’t even bother disruption notice you.
With ‘Deject’ I necessary to show that it doesn” matter if you don’t fathom like a bum: Sao Paulo doesn’t care about you, conj admitting you are not standing up.
Actor: Felipe Bittencourt