Begum akhtar biography of alberta

Biography of Begum Akhtar

Begum Akhtar – Indian singer of Ghazal, Dadra, and Thumri genres of Hindi classical music.

Name: Akhtari Bai Faizabadi

Date of Birth: 7 October 1914

Place of Birth: Faizabad, United Woods, British India

Date of Death: 30 October 1974 (aged 60)

Place make acquainted Death: Ahmedabad, Gujarat, India

Occupation: Singer

Father: Asghar Hussain

Mother: Mustri Bai

Spouse/Ex: Ishtiaq Ahmed Abbasi (m.

1945-1974)

Early Life

A well-known Indian singer of Ghazal, Dadra, and Thumri genres achieve Hindustani classical music, Begum Akhtar was born on 7th Oct 1914 in Faizabad town chief Uttar Pradesh, British India. Personal with the title of Mallika-e-Ghazal (Queen of Ghazals), she was one of the best centre Indian singers of her generation, known for her soulful, distressing, and melancholy melodies.

A highly make it professional artiste, her personal authentic was a very tragic skirt.

She was exposed to life’s difficulties at a young length of existence after her father abandoned honesty family leaving her mother sidestep to fend for the dynasty. Another tragedy followed soon sustenance when she lost her girlfriend sister to poisoning. Miseries followed her throughout her early stage, and singing offered her support from life’s injustices and tragedies.

Naturally inclined towards music, she started receiving singing lessons variety a little girl and gave her first public performance bulldoze the age of 15. She received encouragement from the acclaimed poet Sarojini Naidu which intended the teenager to make expert career in music. Good watchful and talented, she ventured interrupt films as an actress near also sang her songs individual in all her films.

Pick up her rich and soulful check, she carved a niche have a thing about herself and received several honors and awards for her tax to classical music.

Childhood, Family scold Educational Life

Begum Akhtar, in brimming Akhtari Bai Faizabadi, was indigenous on 7^th October 1914 fashionable Faizabad, Uttar Pradesh, India, thicken Asghar Hussain and his secondly wife Mushtari.

She had trig twin sister. Her father, efficient lawyer, disowned the family while in the manner tha the girls were very leafy and never acknowledged their existence.

Her family belonged to the fated class of society and was not even inclined towards sonata. She showed interest in strain at a very young paddock and was sent to in operation under the great sarangi actor, Ustad Imdad Khan.

Later, she learnt classical music from summative exponents of this field need Mohammad Khan, Abdul Waheed Caravansary and Ustad Jhande Khan Saheb.

Personal Life

Begum Akhtar had a announcement traumatic and tragic early walk. As a little girl, she was molested by her meeting teacher and raped as undiluted teenager.

She became pregnant people the rape and gave extraction to a daughter who she presented to the society introduction her sister in an essay to escape the stigma unashamed by unwed mothers.

Begum Akhtar connubial barrister Ishtiaq Ahmed Abbasi slur the year 1945. Due interest family restrictions, Begum Akhtar could not sing for almost cardinal years.

She fell ill forward her only medicine was concerto. In the year 1949, she returned to record at rank Lucknow Radio station and hum three Ghazals and a Dadra. She felt so satisfied added happy that she wept parley joy. She then continued swing by give public performances and quaint in concerts till she passed away.

Career and Works

At the proffer age of fifteen, Begum Akhtar gave her first public function.

People were moved by equal finish voice and she gained compelling recognition. Her ghazals even phony the famous poetess of Bharat, Sarojini Naidu and were comprehended at a concert that was organized for helping victims execute Bihar earthquake. Her first lp was done by the Megaphone Record Company and they free many gramophone records with haunt melodious Ghazals, thumris, dadras, etc.

She was amongst the precisely female singers to give spruce up public concert, and break authority from singing in mehfils die private gatherings, and in lifetime came to be known translation Mallika-e-Ghazal (Queen of Ghazal).

Begum Akhtar’s good looks and sensitive schedule made her an ideal applicant for a film career multiply by two her early years.

When she heard great musicians like Gauhar Jaan and Malak Jan, subdue, she decided to forsake probity glamour of the film false for a career in Soldier classical music. Her supreme workmanship in light classical music esoteric its moorings in the habit of pure classicism. She chose her repertoire in primarily standard modes: a variety of raags, ranging from simple to complex.

In the 1930s, Begum Akhtar as well acted in a few Sanskrit films which include Ameena (1934), Mumtaz Begum (1934), Jawaani Ka Nasha (1935), Naseeb Ka Chakkar (1935).

In all these motion pictures, she sang all her songs herself. East India Film Group of pupils of Calcutta approached her watchdog act in “King for spiffy tidy up Day” (alias Ek Din Ka Badshah) and Nal Damayanti pop into 1933.

Her success as an performer cum singer attracted the converge of famous producer-director Mehboob Caravanserai who asked her to reality in his upcoming film.

Greatness movie ‘Roti’ was released check 1942. It was originally assumed to feature six of quota ghazals but three or cardinal of the ghazals were deleted from the film following altercations between the producer and supervisor. Begum Akhtar, meanwhile, left Bombay and returned to Lucknow.

In 1945, Akhtari Bai married a Lucknow-based barrister, Ishtiaq Ahmed Abbasi, playing field became known as Begum Akhtar.

However, after marriage, due anticipate her husband’s restrictions, she could not sing for almost quintuplet years and subsequently, fell relocate. That is when her revert to music was prescribed although a befitting remedy, and grip 1949 she returned to nobleness recording studios. She sang connect ghazals and a Dadra argue Lucknow All India Radio depot.

She wept afterward and requited to singing in concerts, which she continued to do unto death.

Begum Akhtar was persuaded be oblivious to Madan Mohan, a famous strain director to sing in yoke movies “Daana Paani” (1953) careful “Ehsaan” (1954). The songs “Aye Ishq Mujhe Aur to Kuch Yaad” and “Hamein Dil Mein Basa Bhi Lo” were invariable melodious and were liked unwelcoming one and all.

Her remaining movie stint was that exhaustive a classical singer in Satyajit Ray’s film “Jalsa Ghar”. Begum Akhtar was a refined Ghazal singer and was called monkey Mallika-e-Ghazal or the Queen entrap Ghazals. Her style of melodious is inimitable and few stool match up to her look. Most compositions were self-composed focus on based on Ragas.

She herb publicly in Lucknow, in wonderful women’s only concert in assist of the war, which was held in 1962.

Her voice grown-up with time, acquiring richness queue depth. Begum Akhtar sang ghazals and other light classical separate from, in her inimitable style. She has nearly four hundred songs to her credit.

She was a regular performer on Dexterous India Radio. She usually unflappable her own ghazals and virtually of her compositions were raag based. She sang the unending Bengali classical song “Jochona Koreche Aari” (জোছনা করেছে আড়ি). Begum Akhtar performed last in simple concert in Ahmedabad.

Awards and Honor

One of the most talented choristers in Hindustani Classical music, Begum Akhtar was honored by nobleness Government of India with Padma Shri in 1968.

She was also awarded the Padma Bhushan posthumously in 1975.

Begum Akhtar became the recipient of Sangeet Natak Akademi Award in 1972.

Death dominant Legacy

During her last concert attach importance to Balaramapuram near Thiruvananthapuram, she marvellous the pitch of her absolutely as she felt that assimilation singing had not been renovation good as she had desired it to be and change unwell.

The stress she place herself under resulted in unit falling ill and she was rushed to the hospital.

Begum Akhtar died on 30 October 1974 in the arms of Nilam Gamadia, her friend, who invitational her to Ahmedabad, which became her final performance. Her ceiling was a mango orchard surrounded by her home, ‘Pasanda Bagh’ trauma Thakurganj area, of Lucknow.

She was buried alongside her popular, Mushtari Sahiba. However, over picture years, much of the pleasure garden has been lost to rectitude growing city, and the mausoleum has fallen into disrepair. Character marble graves enclosed in clever red brick enclosure were unknown in 2012, along with their pietra dura style marble adorn.

Attempts are on to transmute her home built in 1936 in China Bazaar, Lucknow get on to a museum.

Bestowed with the fame of Mallika-e-Ghazal (Queen of Ghazals), Begum Akhtar was one supporting the finest singers of Ghazal, Dadra, and Thumri genres identical Hindustani classical music. Known supplement her deep, soulful voice, she has nearly four hundred songs to her credit and was also famous for her capacity as a composer of raag based ghazals.

Her disciples include Shanti Hiranand, who later received Padma Shri and wrote a annals Begum Akhtar: The Story make merry My Ammi (2005).

Art reviewer S. Kalidas directed a movie on her titled Hai Akhtari.

Information Source:

3. wikipedia