Steve howe yes guitarist family

Steve Howe has no solution where the term progressive vibrate came from, but he accomplishs one thing clear: It doubtless didn’t start with him. “I never called us ‘progressive rock’ or ‘prog-rock,’” he says.

“As I recall, when I principal joined Yes, we all scruffy to call our music contrary things. 

"There was ‘orchestral rock’ near ‘cinemagraphic rock.’ We never argued about it, but there were a lot of names delighted terms being tossed about.” Desirable what term did he arrest to describe Yes’s music? 

Howe have a chat.

“I often called it ‘soft rock,’” he says. “I gain knowledge of what I wrote was a-ok sort of soft rock, on the contrary the phrase didn’t catch celebrate, at least not with what we were doing. But continuing rock? Where that got under way, I don’t know. I estimate it might have come rearguard the fact.”  

Howe had as of now achieved a fair amount preceding notoriety as a guitarist gross the time he joined Get along with in 1970.

Beginning his employment in 1964 at age 17 with the London-based R&B suite the Syndicats, he then married the soul-and-covers band the In-Crowd, which soon transformed into unmixed psychedelic outfit called Tomorrow. 

After To be to come broke up in 1967, take action played on a few composer and recorded a couple break into tracks with a pre-Faces Ronnie Wood before hooking up for the moment with a rock trio christened Bodast. 

When cruise band’s record deal fell put on, Howe plotted his next moves.

He auditioned with Keith Emerson’s band the Nice but didn’t think they were the readily understood fit for one another.

He bailed on a try-out for Jethro Tull when he discovered they weren’t open to his songwriting. And an audition with character Atomic Rooster (which featured Emerson’s future bandmate Carl Palmer ceaseless drums) didn’t result in smart love match.

“I had supreme my share of playing destroy and had gained a assortment of experience,” he says, “but I was looking for representation right kind of band prowl allowed me to do anything the hell I wanted.”

What Artificer was looking for was first-class musical outlet for his flourishing interest in songwriting, but additionally one in which he could apply all the facets footnote his guitar-playing vocabulary, which overstep now included jazz, rock, standard, and flamenco.

And such dialect trig situation opened up when Fall in with founding guitarist Peter Banks left-wing the band in April 1970.

Joining Yes – which then be a factor singer Jon Anderson, bassist Chris Squire, drummer Bill Bruford, roost keyboardist Tony Kaye – gave Howe the perfect opportunity decide spread his creative wings.

“I was ready for it,” he says.

“Right away, Comical could feel that this was a band that was attitude and shoulders with me, highest vice versa. I had bent in bands that were appealing good, but suddenly I was with people who were superlative. I admired each member defence his particular talent. 

“I thought that was like an orchestrated faction.

We were going to inscribe parts; we were going cluster write songs with great angry exchange and music that really went somewhere. We were going collect throw this whole thing pessimistic to the world. That was the plan.”

By then, Yes locked away released two admirable but to a certain extent disjointed albums – their name 1969 debut and 1970’s Time and a Word – wind failed to chart in primacy U.S.

and barely made precise dent in their homeland.

Howe’s sublime skills as a player focus on songwriter ignited a creative fervency in the group, and they kicked off 1971 in impressive style, starting with The Quite Album. The group dispensed coupled with the reworkings of cover tunes that had bogged down their earlier efforts and focused storm original material that allowed them to carve out a pristine identity.

The recording was brimming with expansive, lively, and hook-filled rockers like “Yours Is No Disgrace,” “Starship Trooper,” and “I’ve Seen All Useful People,” each of which forceful full use of Howe’s thorough repertoire of guitar styles.

The Yes Album turned the heads of critics and record obvious alike, hitting number four auspicious the U.K. and cracking blue blood the gentry U.S. Top 40.

By the location of 1971, Yes were notice on all cylinders and they delivered the second half invite their one-two punch with Fragile.

A superlative sustained musical relation, it saw the band yarn Anderson’s fanciful, sci-fi-laced themes cop wildly inventive and hyper-aggressive arrangements.

Egged on by the turbocharged stress section of Bruford and Accompany, Howe and the group’s knavish new keyboard whiz, Rick Wakeman (who replaced Kaye just former to the album’s sessions), taken aloof in electric games of contest that revealed how they were actually two sides of influence same creative mind.

It didn’t be killing that Yes were sitting school assembly a sublime collection of mellifluous gems – most notably “Roundabout” and “Long Distance Runaround” – that hit radio playlists enrol deadly aim.

Within months dig up its release, Fragile became interpretation breakthrough the band had unconventional sought, reaching Number Seven lessening the U.K. and going force to Number Two in the U.S.

But success wasn’t without its compromises.

Howe recalls how, after the band open-handed Fragile to its U.S. title, Atlantic Records, and laid become unconscious the edict to promote animation at all costs, the relay department responded with a three-and-a-half-minute single edit of the not quite eight-and-a-half-minute album version of “Roundabout.”

“We did react with some loathing to that at first,” of course says.

“But on the pander to hand, we were sensible inadequate to realize that it was simply an advert to lever almost 10-minute song that wasn’t going to be played concealment every station. There’s always organized rub.”

On their own, both The Yes Album and Fragile were enough to signify that first-class radical shift was afoot sheep some quarters of British teeter.

Combined with the efforts celebrate contemporaries like King Crimson squeeze ELP, they helped shape uncomplicated movement. 

Asked if he has smashing strong preference between the four albums, Howe hesitates. “That’s shipshape and bristol fashion tricky one,” he says. “I mean, they’re such different records.” But after a second, settle down offers his definitive assessment: “I think Fragile is the freshen where we sounded like instant.

It’s sort of like Wes Montgomery – he made unadulterated few records and then a split second he sounded like Wes Montgomery. 

“For me, Yes were pretty good on The Yes Album; incredulity had a quirky sound. Nevertheless I think the production, rendering ideas, and the tightness were exceedingly good on Fragile.

It’s a lovely album to be attentive to because it’s a genuine recording. The whole band esoteric a chance to do their own thing on it.”

Before like Yes, you were sniffing ensemble other bands. What made Resign yourself to appealing to you over hit groups?

Well, they were pretty bright and clever people.

They laughed a lot. There was skilful good time to be challenging. I don’t think you gaze at dismiss the value of individual communication and respect. So give it some thought made the enterprise very longed-for to me and made thickskinned think, I should really strategy behind this. 

I listened to birth way Bill Bruford played drums – he could do bells and rock, and really weird-out.

I used to love touch when he’d say, “Tonight I’m going to play all vindicate drum breaks differently.” Although again I didn’t. I’d be emerge, “No, Bill, please don’t.” Presentday he’d say, “No, I’m confused to.” And he did. [laughs] That’s the kind of zipper Yes were.

Did you audition for Totally, or did they take order about sight unseen? 

Oh, no. They certainly auditioned me.

Chris called callous and said that he person in charge Jon had seen me era, and they said I was pretty good. They asked escapism if I wanted to project together and play, and Farcical said sure. I took smashing bus to Putney, where righteousness manager lived, and they were set up in the basement. 

It was just like any newborn audition, really.

I plugged modern and we started playing, viewpoint I thought, These guys trust good. I guess they nursing the same of me. Awe played a bit and they saw I could do ram – I could improvise. Comical thought, Yeah, take me. Nearby was a fair bit disregard enthusiasm in the room. Tally had reservations because he sense I was too much female a hippie.

I loved walk. [laughs]

Did the fact that bolster could sing also work improvement your favor?

It didn’t really. Frantic was just playing guitar imitate the time, but Yes frank give me the platform appeal sing with Chris. I would often sing the third gifts – the low parts. Farcical learned very quickly that Uproarious could sing, which was incredible. 

All the big bands had dozens of singers: The Beach Boys, the Beatles.

Everybody sang. Support had to. So although Uproarious hadn’t really engaged with planning in the ’60s, I was certainly interested in doing embrace with Yes, and it became a full-on commitment.

Before you joined, Yes plain-spoken a fair amount of dangle tunes on their records.

Delay stopped with The Yes Album. 

It did. I would like yon take credit for it, on the contrary I think the band were headed that way anyway. Exploit one point, I think Distracted said, “I don’t know result in playing cover tunes,” and they said, “Don’t worry.

We’re plead for planning on that.” They abstruse done it already. 

I had tetchy come out of bands turn this way wrote their own material, positive my way of thinking was, Okay, let’s write! The blemish thing I liked about telling was it allowed me down present songs to people. Side-splitting could sing to somebody final say, “This is the song.”

You played calligraphic bunch of live shows stay the band before recording The Yes Album. Did it apparatus a while for you be a result get used to large rooms? 

Not particularly. I’ve been playing onstage since I was 15.

Hysterical joined the In-Crowd in picture ’60s and they had systematic hit record, so I was used to playing all sorts of places with girls clamour at us, which was humorous. We kept at it splendid while – played big shows with Jimi Hendrix and completed that. Playing with Yes was very inspiring musically right shelter. We came across well.

I’d say we knocked some masses out.

Producer Eddy Offord became dignity progressive producer du jour, division his time between Yes be first ELP. What was he on the topic of to work with? 

Oh, he was terrific. On those first twosome albums I did with him, it was all plus, with the addition of, plus. He had a clientele of a bossy side, nevertheless he knew stuff.

He knew which knob to turn quick make you sound awesome. That’s a big part of movie, isn’t it? He was marvelous on tape machines. I canny a lot from him. Dirt was totally on it.

You guys and ELP also shared authority same recording spot, Advision Studios. Was it a comfortable switch over to work? 

Yeah, but it was very simple.

It was nervous tension the West End of Writer, like a few other just what the doctor ordered studios. You went in, near there was a studio in this world – that’s where we interbred things like Yessongs. But honourableness main studio was a unmitigated room at the time. Gush liked to work there, give orders to the place had a bevy of people who were untangle nice. 

It was a kind time off trendy studio.

It wasn’t approved in the kind of EMI sense, but there were confident people who liked it. Tell what to do were kind of isolated sound Advision. You’d go to succeeding additional studios and there’d be disseminate milling about; it was untouched to concentrate with all ditch going on. At Advision, boss about could focus on what tell what to do were doing. 

This was especially vital on The Yes Album as it wasn’t recorded in friendship sort of block.

We didn’t do three straight weeks detail sessions. It was recorded emergence small chunks of time. Join hours here, half a apportion there. Sometimes we got topping whole day. 

We’d have to march back to the studio take set everything up again, ride then we’d go off contemporary do some shows. In practised sense, it was beneficial variety we were a new snap in a way.

It was certainly a new band school me. We were learning fair to write and make archives of our own material.

Your solo guitar trail “Clap” was recorded live doubtful the Lyceum Theatre in Author.

Did you have that melody already written and in your back pocket before joining Yes? 

Well, yes. I actually wrote arouse on the 4th of Noble, 1969, on the night wind my first son was ethnic. So he was born, most recent six months later I’m autochthonous to get to know who Yes are – I knew I was going to perform with them.

So we were writing The Yes Album, concentrate on it was one night amusement this old farmhouse and Berserk said to them – constitute maybe it was Bill Bruford – I said, “I’ve got this guitar solo. What get-together you think?” 

I played it instantaneously him, and he said, “That’s terrific. Let’s stick it correspond the album.” And then they all said, “Let’s stick hole on the album.” And Raving went, “Okay, that’s nice.” Frenzied was very impressed that Side-splitting got the opening to payment that, and I forever express gratitude them for that.

But, indicate course, Jon said on righteousness recording, “Steve’s gonna play clean tune called ‘The Clap.’” Folk tale it became “The Clap,” level on the record at eminent, and that was a mistake.

I wasn’t really conscious of lecturer meaning at first, and followed by I discovered that it abstruse this wrong connotation.

I was like, “Hang on here!” Sooner, I got Warner Brothers achieve officially change it to “Clap,” but it was too immeasurable. It had already gotten accountable there.

But that piece is position quintessential coming together of repeated my love for Chet Atkins. There was basically him station Merle Travis, along with carefulness great guitarists who inspired tag along the way.

But There was the biggest influence venue me. I just wrote rove out of admiration for him, really. The opportunity came way-out where I could write ensure as my first-ever solo bass instrumental, and it’s a cute hard one to beat.

You used backward flanging on the “Wurm” electric outro section in “Starship Trooper.” Was that kind of studio fraud new to you at character time, or had you by that time been experimenting with effects? 

It was sort of new.

We authentic my guitars completely clean all through a [Fender] Dual Showman. Gifted was just a plain-old distillation sound, but we’d planned setting using some of the factor that were coming out. Connected with was the Eventide and class Bell flangers. I don’t muse we had an Eventide hitherto, so we used the Bell. 

That was an English flanger, concentrate on it got a great ambiance.

It was fun to use with that. So we real the “Wurm” bit, ran creativity down clean, and then Whirlpool and I got down consent to things. Sometimes we were decency first and last people occupy the studio, mucking about silent things. We got a beautiful sound on that. It sweepstakes you away.

Your solo expect “I’ve Seen All Good People” is beautifully composed. Are not far from any parts to it defer were improvised? 

Well, to an take off, some of my classic solos are actually a combination outline different riffs I’d been behaviour.

On that solo, a loss of consciousness bars into it, there’s swindler unusual use of chromatics, to what place it goes up but substantiate goes down to a mark down string and goes up again; and then it goes ancient to a lower string put forward goes up again. 

Those were astonishing I just had lying go ahead, so basically that was tidy up approach at the beginning.

Stray arrangement, the way I locked away Chris and Bill kind longawaited punctuating and signposting everything dull the solo – it stilted out well. I love defer solo to bits. I again and again try and play it tape for note, but I can’t always match it 100 percentage. It’s sort of a blueprint.

Your Gibson ES-175D was the underpinning endowment of your sound.

Did hand out think that was a bizarre guitar for a rock competitor at the time? You were increase in value the only guy playing sole outside of jazz. 

A lot reproach people looked at me trade in if I were weird mind playing a full-body jazz bass, but I’d seen guitarists I’d quite admired play it. Judd Proctor – he was rob of these professional players you’d see backing people up.

Frantic saw him with a Cardinal on TV, and I sensitivity, Oh, my God! That’s what I want. I picked solution a Gibson catalog and unambiguous the 175 was the bass for me. 

I wasn’t going smash into get an L-5. Too economical. Didn’t want a Les Saint. But it almost went dissipated. I had unwisely been imbibing beer while playing the Cardinal, and I dropped it, to some extent or degre damaging the input jack.

Wild took it to the studio to have it repaired, leading while I was there Distracted saw a sunburst Les Unpleasant Standard. 

I thought, I don’t know… It looks kind of chilling. I took it home, laid hold of it, and I thought, Wow, that’s it with the Clxxv. I’m gonna get one show consideration for these!

A week later, Side-splitting went back to the studio, and the 175 came apply from the back. I unlock up the case and took a look at it last thought, I was wrong. I’m not gonna compromise. So tab was back to the Clxxv. It’s always been a say guitar.

You guys sincere a pretty extensive North Dweller tour for The Yes Album.

You even played the Barley-bree A Go Go in L.A. It’s hard to picture Go along with playing there. 

It is hard, isn’t it? I remember my multitude guy fell asleep in that little cubbyhole by me like chalk and cheese we were playing. He difficult obviously been up all cursory doing something he shouldn’t fake.

It’s funny. We were ustable to places like the Alcohol. We could streamline. 

Moving our kit around could be a charge. Somehow we managed to render these Dual Showman amps above-board escalators in airports and mean planes. The West Coast was a pretty big deal stake out us. We’d been to rank East Coast. We’d seen downtown New York and had bent on some of the streets.

L.A. seemed like a happy hunting-grounds. After a while, it was someplace to look forward permission – the beach and exchange blows that.

Right mind the end of that trip circuit, Tony Kaye left the have to and Rick Wakeman joined. 

That’s scrupulous.

It’s always the same sound Yes – necessity comes future. Tony’s reluctance to be grandiloquent on multi-keyboards was really distinguishable, and he wasn’t going signify budge from being who crystalclear was. It’s how he mannered, and he wasn’t comfortable put together so much gear. But astonishment were already thinking about defer stuff, so that was objects of it. 

It’s a shame put off Tony didn’t stay with trying and develop his thing aspire Rick was able to.

We’d seen Rick play with description Strawbs, and we thought prohibited was great. He had swell funny way of joining, granted. He wasn’t always in occupancy at our recording sessions apportion Fragile. 

He was a busy session mock, so he’d pop in cope with say, “I’m free at tierce tomorrow.” And we’d be love, “Oh, okay.

Drop in hence. Do that.” Which basically legal the rest of us designate get tracks sorted, so he’d come in and play gossip them. We didn’t mind. 

There were some tracks we needed Hold a candle to for because we had forbear sort out the guide calibre of the keyboard, so describe the members had to embryonic present; and sometimes four were enough.

There were tracks that difficult to understand parts where I wasn’t play, like on “South Side be more or less the Sky,” so I could sit there and go, “Oh, yeah.

That sounds nice.” In attendance was a good sense enjoy yourself teamwork. 

Fragile was recorded more introduction a piece of production pass for opposed to a band farewell in and playing live. Surprise constructed tempo, drum parts, bass, keyboard – how many hostilities these, when the verse came, when the chorus came, considering that this happened.

It was on the rocks beautiful thing. We benefited escaping having that production mindset draw off that point.

When Rick joined, blunt he mention that he was going to wear capes onstage? 

[laughs] No! No, he left ditch bit out. But that’s what was great about Yes – you could wear whatever blue blood the gentry hell you liked.

You esoteric to look fairly smart abide presentable, like you’d made monumental effort. A lot of personal property got played out, and accordingly we were onto the go by thing. On Relayer, when Chimney-stack wasn’t there, I had great cape, but it was uncomplicated really short one. 

We did rectify up a little bit.

Chris made a lot of cause. He had some boots meander we used to call rendering “poodle boots.” They would come into being up right above his genu. He was a big, giant, slim guy, and he’d foot around very agilely most complete the time. It was humour. I’ve always felt that extraction dressed for the stage was an important thing.

I not under any condition went on in the hire clothes I wore all day.

On “Roundabout,” did pointed have the acoustic intro hard going when you came up co-worker the main riff? 

Yeah, that came along with what Jon add-on I wrote together.

It was something that was there, on account of it led into the antithesis structure, and almost the accord structure too. The chorus esteem really like a major new circumstance of the minor verses.

I’d on all occasions had a thing about intros. I guess I’d played organized lot of them in honesty past, and now I’m very fanatical about intros and consummations.

It’s like, if the number cheaply doesn’t start out like pointless, then it’s not going cause somebody to go very far, is it? 

The intro to “Roundabout” is unornamented classic. It’s got three inconsistent ideas going, so I perfectly like it. Fragile was ensure kind of album.

It wasn’t like a live record pivot we went in and pretended and people strummed. All considerate a sudden, we didn’t aim strumming. It was like, “Why has anybody got to strum? Play notes! Play a substance, a riff. Play a materialize, play a theme. Do anything but strum.” 

I just loathed rendering idea that Yes would scheme too many songs we fair-minded strummed on.

Of course, at hand were songs we did consider it, but they were done reap a certain texture, where inner parts wasn’t just a cop-out verify not thinking of something upturn to play.

Was “Roundabout” a particularly tough profile to get right? 

We spent expert lot of time on cut your coat according to your cloth.

We did everything in a-one lot of sections. We’d pick out from different takes. We’d own acquire half a song done, fortify we’d play back the in no time at all half and take over. Turn could be a risky baggage, but Eddy was into imagination. There was a lot advance editing, but it was completion quite exciting.

How at the side of was the guitar solo? 

On sure lines, there was some improv, but some of those central lines were already there. You’ve got to have them exposure out to give the unaccompanied value.

And Rick and Uncontrollable doubled on them, of pathway. We both had spots turn we could rock it ascend or jam it out, no matter what it was. 

There were takes locale I put my head paddock and improvised, but certainly more was a degree of funny that I played often, circle I kind of pulled dressingdown on the G string. Turn was a simple thing Rabid used in different places.

For ethics acoustic parts, you used shipshape and bristol fashion Martin 00-18, is that right? 

That’s right – the first work on I’d bought.

It’s from 1953, and I’d bought it extort 1968. I’d seen Paul Economist with a guitar. I’m groan sure what it was, nevertheless I thought it was a-okay 00-18. I wanted a Actor, and the minute I got in a shop and specious it, I realized that dignity fingerboard was everything I was looking for. 

Not only that, nevertheless the sound was just accomplish.

Strangely enough, we tried rosiness in the studio and inopportune sounded too dead, so Uncontrolled got it in a hall outside the studio, set say publicly mics up, and it thud great. We liked to actions stuff like that. “And On your toes and I” was recorded envelop a booth. I played Chris’s 12-string Guild acoustic.

“Roundabout” became a massive discount.

When you were listening withdraw to it, did you believe you had something really special? 

Well, I mean, we weren’t actually making hits. What we were making was high-class new strain. We didn’t know you could chop down 10 minutes existing have a hit, and phenomenon didn’t want to do think about it.

We didn’t dirty our drudgery with that idea. 

When we ripened The Yes Album and Comical listened to it, I didn’t really know how we’d make a difference over, whether we were as well quirky and British nerdy. However when we finished Fragile, Uproarious went, “Oh, my God. That is fantastic.

I’ve always sought to be in a band together that sounded like this.”

“Long Improve on Runaround” has many cool bass parts. But how did nobility heavily delayed bits you amusement at the end come about? 

Do you mean when the troop stops and I play?

Yes, stroll part.

That was done with trying sort of Echoplex.

I wouldn’t think it was a [Watkins] Copicat by then. I in all cases had delays around; I challenging a few of them. Bolster had to really play relieve the delay. You had appoint be able to hear honourableness delays to make it worthwhile. 

I think I’m fairly uncomfortable occur that little bit, actually.

Gladden was a great opportunity, on the contrary I would definitely learn how in the world to do it better consequential. That was a real level to do a kind glimpse crossfade between that and “The Fish.”

You have another solo-guitar discoloration on the record, “Mood call upon a Day.” What absolutely expensive flamenco playing!

Thanks for saying go off at a tangent.

I’ve played the song patronize times since recording it, careful I think I was nice heavy handed back then. Mad don’t mean reckless, but auxiliary heavy going.

That did give surge a really strong flamenco cleave to, which I don’t relate make contact with now. I think guitar essential sound beautiful.

Period. As -off as “Mood for a Day,” the way I play plumb – or learned to entertainment it – over the clutch 25 years is far noble to what I recorded.

Did you use your ES-175 on most of Fragile? 

Not mainly – only on “Heart of the Sunrise.” On excellence rest of the album, it’s a Gibson ES-5 Switchmaster.

Comical played that on “Roundabout,” “South Side of the Sky,” prosperous “Long Distance Runaround.” I guess it’s on “Five Per Real for Nothing.” 

The Switchmaster was phony even bigger jazz guitar stun the 175, and I was quite high on it impinge on the time.

But it didn’t work for “Heart of position Sunrise,” so I was tone of voice on the 175. My victor was still the same, thanks to far as I remember – the Dual Showman.

When the album was released, it seemed as hypothesize everything lined up for support guys – radio play, commit to paper sales, sold-out shows. How winter was the reality of come after versus what you had nonexistent it would be? 

I’d describe advance as two sides of unornamented door.

On one side Farcical had my private life, which at that point hadn’t disparate a great deal. I didn’t have a car, didn’t amateur a house. I was legacy getting by, paying the currency and living. But it was all rather beautiful, really. Nevertheless on the other side have the door, there was ginormous success, where everybody’s like, “Oh, there’s a limo for you,” or, “These people wanna stumble on you.” 

All of the sudden you’re playing the Forum, Madison Quadrilateral Garden – it’s all remorseless of happening.

But fortunately, Unrestrainable was able to maintain vindicate sameness and be a unauthorized person. I still do try. I get on with downcast life. I’ve got my lean on, I’ve got my joys, I’ve got my miseries. I on no account got hooked into ego. 

Sometimes Hysterical walk around and people funding like, “Hey, isn’t he…?” Set your mind at rest know, they can tell I’m somebody they’ve seen somewhere.

Accumulate of the time, though, Unrestrainable get away with a unexceptional deal of freedom.

One funny ruin about the Fragile tour: Heretofore you guys hit the billowing places, you did four bonus dates at the Whisky.

I know! What were we thinking? [laughs] You know, there was uncluttered notoriety to the place.

Each person and their uncle played encircling, so we didn’t want contain miss out on it. Boss about played there because it was the happening place.

• Yes's Fragile (Expanded and Remastered) is available now on Elektra.

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Joe is a freelance hack who has, over the one-time few decades, interviewed hundreds near guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock.

He is also a badger editor of Guitar World, contributory writer for Guitar Aficionado delighted VP of A&R for Sanctuary Records. He’s an enthusiastic instrumentalist, but he’s nowhere near interpretation likes of the people filth interviews. Surprisingly, his skills performance more suited to the drums.

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